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Sounding Otherness in Early Modern Drama and Travel

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Sounding Otherness in Early Modern Drama and Travel

Uncanny Vibrations in the English Archive

Jennifer Linhart Wood

Palgrave Macmillan
Collection: New Transculturalisms, 1400–1800
Publication date : 2019-04-23

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Winner of the Medieval and Renaissance Drama Society's 2021 Bevington Award for Best New Book

Sounds are a vital dimension of transcultural encounters in the early modern period. Using the concept of the soundwave as a vibratory, uncanny, and transformative force, Jennifer Linhart Wood examines how sounds of foreign otherness are experienced and interpreted in cross-cultural interactions around the globe. Many of these same sounds are staged in the sonic laboratory of the English theater: rattles were shaken at Whitehall Palace and in Brazil; bells jingled in an English masque and in the New World; the Dallam organ resounded at Topkapi Palace in Istanbul and at King’s College, Cambridge; and the drum thundered across India and throughout London theaters. This book offers a new way to conceptualize intercultural contact by arguing that sounds of otherness enmesh bodies and objects in assemblages formed by sonic events, calibrating foreign otherness with thefamiliar self on the same frequency of vibration.

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About the book

Author

Jennifer Linhart Wood

Imprint

Palgrave Macmillan

Collection

New Transculturalisms, 1400–1800

Publication date

2019-04-23

Pages

373 pages

Print ISBN

9783030122232

Language

English

Ebook informations

EAN PDF

9783030122249

Price

£89.50

Copy count 3

Print count 37

File size 7598 Ko

Informations accessibility

EAN EPUB

9783030122249

Price

£89.50

Copy count 3

Print count 37

File size 39322 Ko

Informations accessibility

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About author(s)

Jennifer Linhart Wood

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