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The Oxford Handbook of Critical Improvisation Studies, Volume 1

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The Oxford Handbook of Critical Improvisation Studies, Volume 1

George E. Lewis, Benjamin Piekut

Oxford University Press
Publication date : 2016-08-22

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Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of The Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.

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About the book

Author

George E. Lewis , Benjamin Piekut

Imprint

Oxford University Press

Collection

n.c

Publication date

2016-08-22

Pages

608 pages

Print ISBN

9780197602201

Language

English

Ebook informations

EAN PDF

9780199707935

Price

£22.14

Copy count 0

Print count 0

File size 38820 Ko

Informations accessibility

EAN EPUB

9780190627966

Price

£22.14

Copy count 0

Print count 0

File size 20255 Ko

Informations accessibility

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About author(s)

George E. Lewis

Benjamin Piekut

George E. Lewis, Edwin H. Case Professor of American Music at Columbia University, is a fellow of the American Academy of Arts and Sciences, a MacArthur Fellow, a Guggenheim Fellow, and author of the award-winning 2008 book, A Power Stronger Than Itself: The AACM and American Experimental Music. Benjamin Piekut, Associate Professor of Music at Cornell University, writes on the history of experimental and improvised music after 1960. He is the author of Experimentalism Otherwise (2011) and editor of Tomorrow Is the Question (2014).

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