Henri Michaux

Poetry, Painting and the Universal Sign

Margaret Rigaud-Drayton

OUP Oxford
Publication date : 2005-07-28

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Henri Michaux is widely recognized as a major twentieth-century French poet and painter. Although his fascination with universal languages has attracted the attention of several of his critics, it has up until now been treated as a marginal concern. Henri Michaux: Poetry, Painting, and the Universal Sign argues that his ideas on what might constitute a universal language are central to an understanding of his works. It suggests that both his ambivalent articulation of his relationship to the languages and literary traditions of his native Belgium and adoptive France, and his efforts simultaneously to exacerbate and subvert the differences between words and images, are rooted in Enlightenment theories of the relationship of the self to nature and its language Rigaud-Drayton's study makes a substantial and original contribution to the study of this complex artist, exploring the intricate relationships between word and image in his poetry and paintings, and his quest for a single, unifying language or sign.

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About the book

Author

Margaret Rigaud-Drayton

Imprint

OUP Oxford

Collection

n.c

Publication date

2005-07-28

Pages

n.c

Print ISBN

9780191535161

Language

English

Ebook informations

EAN PDF

9780191535161

Price

£102.32

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Print count 0

File size 1188 Ko

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About author(s)

Margaret Rigaud-Drayton

Margaret Rigaud-Drayton is College Lecturer in French at Christ's College Cambridge. She has previously been Lecturer in French at the University of Virginia; Senior Scholar at St Hugh's College, Oxford; and Professeur Eleve Stagiaire, Ecole Normale Supérieure de Fontenay-aux-Roses.

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