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Musical Response in the Early Modern Playhouse, 1603–1625

Musical Response in the Early Modern Playhouse, 1603–1625

Simon Smith

Cambridge University Press
Publication date : 2017-09-07

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Presupposing no specialist musical knowledge, this book offers a fresh perspective on the dramatic role of music in the plays of Shakespeare and his early seventeenth-century contemporaries. Simon Smith argues that many plays used music as a dramatic tool, inviting culturally familiar responses to music from playgoers. Music cues regularly encouraged audiences to listen, look, imagine or remember at dramatically critical moments, shaping meaning in plays from The Winter's Tale to A Game at Chess, and making theatregoers active and playful participants in playhouse performance. Drawing upon sensory studies, theatre history, material texts, musicology and close reading, Smith argues for the importance of music in familiar and less well-known plays including Antony and Cleopatra, Othello, The Revenger's Tragedy, Sophonisba, The Spanish Gypsy and A Woman Killed With Kindness.

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About the book

Author

Simon Smith

Imprint

Cambridge University Press

Collection

n.c

Publication date

2017-09-07

Pages

n.c

Print ISBN

9781107180840

Language

English

Ebook informations

EAN PDF

9781316853214

Price

£33.76

Copy count 0

Print count 0

File size 5253 Ko

Informations accessibility

EAN EPUB

9781316850763

Price

£33.76

Copy count 0

Print count 0

File size 13025 Ko

Informations accessibility

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About author(s)

Simon Smith

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