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Herbert Eimert and the Darmstadt School

Herbert Eimert and the Darmstadt School

The Consolidation of the Avant-Garde

Max Erwin

Cambridge University Press
Publication date : 2020-12-03

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After 1951, the discourse surrounding both the Darmstadt courses in particular and European New Music more broadly shifted away from a dodecaphonic vocabulary in favour of concepts such as 'punctual music', 'post-Webern music', and 'static music', all collected under the newly-christened unity of the Darmstadt School. This study proposes a genealogy of the Darmstadt School through the institutional influence and writings of Herbert Eimert. It demonstrates that Eimert's understanding of music history - whereby technical procedures are universalised as the acme of historical progress - was adopted as the institutional discourse of New Music in Europe, and remains central to both textbook and critical scholarly accounts which attempt to make sense of the avant-garde after World War II.

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About the book

Author

Max Erwin

Imprint

Cambridge University Press

Collection

n.c

Publication date

2020-12-03

Pages

n.c

Print ISBN

9781108799713

Language

English

Ebook informations

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9781108879897

Price

£18.99

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File size 2580 Ko

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EAN EPUB

9781108858397

Price

£18.99

Copy count 0

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File size 2499 Ko

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About author(s)

Max Erwin

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