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Polyphony in Medieval Paris

Polyphony in Medieval Paris

The Art of Composing with Plainchant

Catherine A. Bradley

Cambridge University Press
Publication date : 2018-08-09

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Polyphony associated with the Parisian cathedral of Notre Dame marks a historical turning point in medieval music. Yet a lack of analytical or theoretical systems has discouraged close study of twelfth- and thirteenth-century musical objects, despite the fact that such creations represent the beginnings of musical composition as we know it. Is musical analysis possible for such medieval repertoires? Catherine A. Bradley demonstrates that it is, presenting new methodologies to illuminate processes of musical and poetic creation, from monophonic plainchant and vernacular French songs, to polyphonic organa, clausulae, and motets in both Latin and French. This book engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring concepts of authorship and originality as well as practices of quotation and musical reworking.

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About the book

Author

Catherine A. Bradley

Imprint

Cambridge University Press

Collection

n.c

Publication date

2018-08-09

Pages

n.c

Print ISBN

9781108418584

Language

English

Ebook informations

EAN PDF

9781108314183

Price

£33.76

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Print count 0

File size 34058 Ko

Informations accessibility

EAN EPUB

9781108311182

Price

£33.76

Copy count 0

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File size 9144 Ko

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About author(s)

Catherine A. Bradley

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