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This book provides not only an understanding and appreciation of Georg von Albrecht’s musical art, but also links his compositional approach to a broader historical and theoretical context. The significance of the study lies in the discovery of a «missing historical...
Musical Symbolism in the Operas of Debussy and Bartók explores the means by which two early 20th century operas - Debussy's Pelléas et Mélisande (1902) and Bartók's Duke Bluebeard's Castle (1911) - transformed the harmonic structures of the...
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