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Colour is one of the few remaining uncharted territories of film studies, and its centrality to the construction and reception of film narratives has only recently been recognised. After a century of widespread critical and theoretical neglect, colour is now poised to...
This collection of articles arises out of the international conference ‘Italy on Screen’, held at the Institute of Germanic and Romance Studies, London, in February 2007.This volume assembles work on different aspects of the relationships between Italy and film, and...
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