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This book comprises what may be called exercises in ‘comparative cinema’. Its focus on endings, near-endings and ‘late style’ is connected with the author’s argument that comparative criticism itself may constitute an endgame of criticism, arising at the moment at which...
What are phenomenal qualities, the qualities of conscious experiences? How do the phenomenal aspects of conscious experiences relate to brain processes? To what extent do experiences represent the things around us, or the states of our own bodies? Are phenomenal...
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