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In Toward Renewal and Belonging: Art, Movement, and Community, Ingrid Hauss models her uniquely integrative and embodied pedagogy through an intricate weave of her art, studio process, and creative practice. The book provides a glimpse into an artist’s journey which is...
This volume reflects on the complexity of relations between traditional and new media. Articles collected here focus on the increasing dynamism and fluidity of dependencies between literature, visual arts, digital media, or internet artistic projects. They analyse the...
The book covers a very special moment in the life of Piotr Michalowski (1800–55), the most outstanding painter of Polish Romanticism. In his early life, Michalowski built a career as a technocrat and later became head of the state-owned heavy industry. At the time, he...
The marble halls of the British Museum might seem the natural habitat for classical sculpture, but in the nineteenth century its sombre displays were far from being the only place that people encountered antiquities. From 1854, a rival collection of classical sculpture,...
From the Antiquity to the 20th century, this sculpture collection offers a truly original vision of Western art. Here are the most sensual and harmonious masterworks to the most provocative and minimalist sculptures. Sculpture shapes the world and ...
Italian Renaissance ‘plaquettes’ are often stored and displayed as a homogeneous category or genre in museum collections due to their apparently uniform small relief format. This has resulted in a scholarly literature that has concentrated largely on connoisseurship and...
Sculpture was no occupation for a lady in Victorian Britain. Yet between 1837 and 1901 the number of professional female sculptors increased sixteen-fold. The four principal women sculptors of that era are the focus of this book. Once known for successful careers marked...
Materials may seem to be sculpture’s most obvious aspect. Traditionally seen as a means to an end, and frequently studied in terms of technical procedures, their intrinsic meaning often remains unquestioned. Yet materials comprise a field rich in meaning, bringing into...
Statues are among the most familiar remnants of classical art. Yet their prominence in ancient society is often ignored. In the Roman world statues were ubiquitous. Whether they were displayed as public honours or memorials, collected as works of art, dedicated to...
Die Autorin analysiert umfassend das Frühwerk des deutschen Künstlers Otto Freundlich (1878–1943). Dieser begann bereits während seines ersten Paris-Aufenthaltes 1908 eine eigenständige, nicht-gegenständliche Formensprache zu entwickeln, ohne sich wie zahlreiche seiner...
Gian Lorenzo Bernini (1598-1680) schuf seine Kunstwerke in einer Zeit, in der die konzeptistische Poetik (concettismo) das ultimative Regelwerk moderner Dichtung darstellte. In dieser Studie wird die Rhetorizität der KunstwerkeGian Lorenzo Berninis vor dem Hintergrund...
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