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Oliver Goldsmith has a claim to be the only eighteenth-century author who wrote canonical works in prose fiction, poetry, and drama. An Irish writer working at the centre of the British and Irish Enlightenments, with all the rich complications of identity this entailed,...
This collection reveals the wide-ranging impact of the Stage Licensing Act of 1737 on literary and theatrical culture in Georgian Britain. Demonstrating the differing motivations of the state in censoring public performances of plays after the Stage Licensing Act of...
The theatre was a crucial forum for the representation of Irish civility and culture for the eighteenth-century English audience. Irish actors and playwrights, operating both as individuals and within networks, were remarkably popular and potent during this period,...
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