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Martin Flanagan uses Bakhtin's notions of dialogism, chronotope and polyphony to address fundamental questions about film form and reception, focussing particularly on the way cinematic narrative utilises time and space in its very construction.
This book draws together a collection of essays looking at the ways in which charters and charter scholarship in different areas of Britain and Ireland, highlighting comparisons and contrasts in charter production and use. The book shows the crucial importance of...
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